Swedish dramatic soprano AnnLouice Lögdlund has this spring been seen in the role of Marie/Marietta in Korngold’s Die Tote Stadt at Wermland Opera in Sweden, where she last season appeared as Leonora in Fidelio. AnnLouice has previously on the same stage and with great success performed Brünnhilde in their acclaimed production of Der Ring des Nibelungen.
AnnLouice has during the recent seasons been a guest at the Royal Swedish Opera in Stockholm where she has performed Brünnhilde in Die Walküre under the baton of Lawrence Renes and she has sung her first Turandot at the Finnish National Opera in Helsinki. She has also visited the Malmö Opera in Sweden where she sang Kundry in Parsifal in 2012 and she returned a year later for the role of Goneril in Aribert Reimann’s Lear.
AnnLouice Lögdlund studied at the Royal College of Music and the University College of Opera in Stockholm and made her debut as Brangäne in Tristan und Isolde with the Wermland Opera in year 2000. Since then she has been engaged in the ensemble of the Wermland Opera where she has appeared in roles like Fiordiligi in Cosi fan tutte, Donna Anna in Don Giovanni, Mimì in La Bohème (directed by Peter Konwitschny), Santuzza in Cavalleria Rusticana, the title role of Adriana Lecouvreur, Abigaille in Nabucco and Kundry in Parsifal.
Earlier engagements have included Miss Todd in Menotti’s The Old Maid and the Thief in concert in Spoleto, Kundry in Mannheim, Arminda in La Finta Giardiniera at the Royal Swedish Opera, Leonora in La Forza del Destino with the Ystad Opera, Donna Anna at Confidencen, Stockholm, Beethoven’s Symphony no 9 in Karlstad and Wagner’s Wesendonck Lieder with the Hiroshima Symphony Orchestra.
Updated May 2016