Ida Falk Winland

“Of course, in this opera Mozart frequently writes for Fiordiligi and Dorabella together, so their voices must mesh. And so it was, with the bright – glinting, even – soprano of Ida Falk Winland’s Fiordiligi working beautifully against the darker shades of Boulianne…. She certainly has the extended range demanded for ‘Come scoglio’ and can move from extreme top to extreme low end easily; she has the vocal virtuosity too for the runs.” – Così fan tutte/Glyndebourne Festival

Colin Clarke/Seen and Heard International – July 06 2021

“Ida Falk Winland was a superb Gilda in Rigoletto in Stockholm one year ago (almost to the day) but here, in a much more complex and all-embracing role, she triumphs in every respect. She has a magnetic radiance as the prima donna assoluta in the first act, and her concluding aria is masterly vocalised. In the second act she is vulnerable and sensitive but also courageous when responding to Germont’s less than gentlemanly assault, and in the Flora scene as well as in the last act she is fragile and helpless, evoking the audience’s compassion. Both vocally and scenically this was a magnificent achievement.” - La traviata/The Royal Swedish Opera

Göran Forsling/Seen and Heard International – November 23 2019

"Ida Falk Winland lyser i en enastående gestaltning av Violetta i Ellen Lamms och scenografen Magdalena Åbergs avskalade 'La traviata'." - La traviata/Kungliga Operan

Bo Löfvendal/Svenska Dagbladet - 24 november 2019

"Sopranen Ida Falk Winland behöver inte mycket mer än en stol och ett bord och sin röst för att bli Violetta på Kungliga Operan. Förutom att hon behärskar den här stora och svåra sopranrollens koloraturer, dramatiska utbrott och lyriska finlir är hon omöjlig att slita ögonen ifrån med sin akuta spelstil. Som en ambulans far hon fram genom hela operan med blåljusen påslagna, ända tills de slocknar, i sista aktens dödsscen." - La traviata/Kungliga Operan

Gunilla Brodrej/Expressen - 24 november 2019

"Rigoletto är en fullträff - och Ida Falk Winland är allra bäst"

"Men Ida Falk Winland stjäl showen med sin otroliga stämma – hon är en helt perfekt Gilda, oskuldsfull men kraftfullt beslutsam, dock maktlös både i det patriarkala samhället och under sin egen förälskelse." - Rigoletto/Kungliga Operan

Nicholas Ringskog Ferrada-Noli/Dagens Nyheter - 26 november 2018

“Ida Falk Winland’s Susanna is by turns poised and elegant or quick and fiery. Her characterisation is of a confident young woman, the steelier half of the couple when opposite Mr Schwartz’s Figaro. Her voice is both nimble and expressive, perfect for the role. Her Act 4 aira “Deh vieni” was as smooth and sensual as silk.”

Niklas Smith/Seen and Heard International – November 03 2014