Karin Ingebäck

The Swedish soprano Karin Ingebäck has appeared in several roles at the Royal Swedish Opera, including Pamina in Die Zauberflöte, Sandmännchen in Hänsel und Gretel, Woglinde in Das Rheingold and Götterdämmerung and Clorinda in La Cenerentola. She has also appeared in a number of roles at the Gothenburg Opera; among them Pamina, Susanna in Le nozze di Figaro, Madame Cortese in Rossini’s Il viaggio a Reims and Olympia in Les Contes d’Hoffmann and Frasquita in Carmen could be mentioned. She has appeared at the Drottningholm Court Theatre as Serpina in La serva padrona. Karin Ingebäck’s repertoire also includes the title role of Janacek’s The Cunning Little Vixen, Musetta in La Bohème and others. She has appeared at Théâtre de la Monnaie as Blondchen in Die Entführung aus dem Serail.

On the concert platform Karin Ingebäck has been a soloist in Alfvén’s Symphony no 4 with the French National Orchestra and Evgeny Svetlanov in Paris. She has sung Carmina Burana with the Swedish Radio Orchestra and Manfred Honeck as well as on tour with the Gothenburg Symphony Orchestra and Neeme Järvi, Marzelline in Beethoven’s Leonore in concert performances with the Royal Stockholm Philharmonic and in Beethoven’s Egmont with the same orchestra and Frans Brüggen. She has appeared in Handel’s Messiah with the Norrköping Symphony Orchestra and Andrew Manze, Janacek’s Glagolitic Mass with the Malmö Symphony Orchestra and Mario Venzago, as Marzelline in Fidelio in a concert performance again in Malmö, as Woglinde in Das Rheingold in concert performances with the Royal Stockholm Philharmonic and Alan Gilbert as well as with the Gothenburg Symphony Orchestra and Kent Nagano.

Karin Ingebäck studied at the Opera School of the Gothenburg University. She has made a number of CD recordings, among them a recording of Ture Rangström’s Häxorna, one of the nominees to the prestigious Grammis Award in Sweden.

June 2021