"In the role of the village schoolmistress, the young widow Ellen Orford, Matilda Sterby steps onto the stage and commands it completely. Ellen Orford is perhaps the most important role in the opera: she is one of Peter Grimes’s few friends, and even his prospective wife. Here, Gothenburg Opera has cast a singer who compels the audience to listen in reverent silence as her powerful soprano resounds. In the long aria of the third act, it is difficult not to be utterly captivated." Peter Grimes, Gothenburg Opera 2025
Christofer Psilander/Scenkonstguiden, 2025-03-13
"Musically, it is an outstanding evening. Outstanding. Joachim Bäckström, in the title role, masters all the difficulties of the part, shifting between torment and lyrical brightness. Matilda Sterby is heartbreakingly wonderful as Ellen Orford, the kind-hearted schoolteacher who cares for Grimes and his apprentice. Their duets linger most strongly in my memory." Peter Grimes/GöteborgsOperan 2025
Bo Löfvendahl/Svenska Dagbladet, 2025-03-09
"The soprano Matilda Sterby increasingly stands out as a star, and her interpretation of the role of Fiordiligi is truly outstanding. Particularly sublime is her long aria in the second act, while in the first act's showstopper 'Come scoglio', she is forced to contend with a swarm of distracting modern markers (headphones!)." Così fan tutte/Malmö Opera 2024
Bo Löfvendahl/Svenska Dagbladet, 2024-12-01
“…the longest and most heartfelt applause was given to Matilda Sterby after Micaëla’s aria in the third act. Matilda is no newcomer to the opera stage. She has already garnered attention both in Sweden and abroad, but it would not surprise me if she is on her way to becoming one of Sweden’s major opera exports. It was a pure delight to hear her voice.” Carmen/Göteborg Opera 2024
Christofer Psilander/Scenkonstguiden, 2024-08-26
"Matilda Sterby is absolutely brilliant as Mařenka. Her soprano has a vibrant ring and moves comfortably, naturally, and elegantly between high and low registers." Die verkaufte Braut/Göteborg Opera 2022
Lennart Bromander/Aftonbladet, 2022-09-19
"Matilda Sterby's agile and expressive soprano vividly reflected Amanda's increasing confusion and paranoia in Act I but never lost control. She was equally comfortable in Amanda's bravura aria as in more domestic moments in Act II.” Tintomara/Läckö Castle Opera 2022
Niklas Smith, Seen and Heard International, 2022-07-21